Do you understand how scary this picture is
god forbid a real person do real person things he wasnt just a robot who killed people jesus fucking christ
uh yeah its not like he killed and tortured six million jews or anything
Hold on just a tick. Listen, I’m Jewish, so I’m perfectly capable of understanding that what he did was just…..well, there are no words for it. But let’s not round it up to simply Jews that got killed. It was six million people that died in those camps, not just Jews. Did you know that homosexuals were sent there, too? Yeah, I’m sure you did. They had to wear special little symbols on their clothes. Do you know what it was? It was a pink triangle.
It was six million PEOPLE.
But you let that roll over in your mind for a while and you are going to forever see this man as a monster, but that’s not what he was. He was someone who thought he was truly doing something right for his nation, no matter how shitty he was doing it. Believe me when I say that I don’t like him. I really don’t. My grandfather’s brothers died in those camps, and my grandfather escaped to Spain, then to Mexico. He was lucky.
This is not a monster holding hands with a little girl.
This is Adolf Hitler, a man, holding hands with a little girl.
Yeah. It’s fucking scary. It really is. Do you know why?
It’s because you’re seeing that he wasn’t, in fact, a monster. You’re seeing in this picture that he was a man. He was a man, and that’s really the saddest part of it all.
As a History major who specializes in the history of early modern Europe, I’ve studied a lot of dictators in detail, not just Hitler. The number one mistake anyone could ever make in history is making the assumption that only inhuman monsters are capable of doing terrible things.
Stop dehumanizing Hitler just so you can reassure yourself that “normal” humans aren’t capable of doing bad things. Hitler liked children and dogs, he was a vegetarian and he cried like a little boy when his mother died. I’m not saying he was a good, innocent person, but when you stop attributing human characteristics to historical figures like Hitler, it’s how you overlook people just like him in real life, and it’s how people like him end up back in power.
That’s the real truth: Human Beings are scarier than any ‘monsters’ out there because we’re all born blank slates and BECOME our legacy.
This is the best post I’ve seen in a while.
The common perception is that the great statues and buildings of ancient Greece and Rome were all pure unpainted stone or green tarnished bronze, but researchers have been arguing that this may not been what these classic monuments really looked like back in the era of their creation. That, in fact, these statues were quite alive and vibrant, full of color.
Gods in Color: Painted Sculpture of Classical Antiquity is a travelling exhibition of varying format and extent that has been shown in multiple cities worldwide. Its subject is ancient polychromy, i.e. the original, brightly painted, appearance of ancient sculpture and architecture. It features more than 20 full-size color reconstructions of Greek and Roman works, alongside 35 original statues and reliefs.
The color reconstructions are based on close examination of the originals and on scientific analysis of the scarce traces of paint remaining on them. Ultraviolet light, says Ebbinghaus, “brings out ‘paint ghosts,’ differences in the surface structure of the stone caused by different paints and by the weathering of the paints. It can often give you an idea of patterns, even if no pigments survive.” The paint on these reproductions of stone sculptures appears flat, lacking the depth of, say, oil. “We can identify the colorants—mostly minerals and some plants,” says Ebbinghaus, “but binding media are hard to identify. Egg has been used for the reconstructions. If the minerals were ground more finely, a different binding medium used, the paint polished or covered with a protective coating, the effect would be quite different.”
“We now assume that almost all Greek marble sculpture was painted,” she says. “These reconstructions can only be approximations,” but at least they dispel a popular misconception—that most statues of antiquity were plain old white. Plain would not be thought ideal until the Renaissance.
Researchers believe, particalurly Vinzenz Brinkmann who has been doing this research for the past 25 years, that artists used mineral and organic based colors and after centuries of deterioration any trace of pigment leftover when discovered, would have been taken off during any cleaning processes done before being put on display, washing the historical art clear of its true colors.
The findings of this research completley changes the commonly held modern ideas of the ancient world, and the way we view modern sculpture and art today, much of which was based on those classical Greek and Roman styles.
Noche en Santorini, Grecia
The Rise and fall of the Byzantine Empire
Terracotta Vase in the Form of a Lobster Claw
ca. 460 BC
Because so many aspects of Greek life depended on the sea, a vase in the shape of a lobster claw is not surprising. It is, however, exceptional and may be a variant of the askos—a bag-shaped oil container provided with a vertical mouth and strap handle. The Dionysiac iconography of the lobster claw suggests that it was a novelty item used at symposia (drinking parties).
Source: Metropolitan Museum of Art
Herbert List - Grèce, 1938
Chinese troops march on the Great Wall during operations against the invading Japanese. Peiping, 1937. (via http://itsjohnsen.tumblr.com)
Photo reblogged from with 492 notes
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